MUS-227: Audio Mastering 2

School
Liberal Arts
Division
Fine & Performing Arts
Department
Music
Academic Level
Undergraduate
Course Subject
Music
Course Number
227
Course Title
Audio Mastering 2
Credit Hours
3.00
Instructor Contact Hours Per Semester
47.00 (for 15-week classes)
Student Contact Hours Per Semester
47.00 (for 15-week classes)
Grading Method
A-E
Pre-requisites
MUS-127
Co-requisites
MUS-226
Catalog Course Description

Provides hands-on experience and guided practice in advanced digital audio mixing and mastering. Course covers preparing complex digital audio files for duplication, advanced techniques in mixing room acoustics, preparing audio for mixing, software plug-ins, troubleshooting audio problems, equalization, stereo imagery, noise limitation, and bit conversion. Working with professional audio production software in a working digital recording studio, students learn to edit sound files for a variety of applications including CDs, DVDs, TV, radio, theater, and the Internet.

Goals, Topics, and Objectives

Goal Statement

Students completing this course will have acquired the knowledge and skills necessary to deliver commercial quality digital recordings for a wide variety of clients. They will be able to edit, mix, and master digital audio files to the standards appropriate for a given genre.

Core Course Topics
  1. Setting up a recording session using a variety of media
  2. Advanced audio editing using pitch correction and timing correction.
  3. Advanced processing: equalization, spatial effects, dynamics, modulation effects, and complex audio plug-ins.
  4. Advanced mixing: automation, genre matching, balance, separation, clarity, and warmth.
  5. Post production: creating and delivering a digital audio file for production/broadcast.
Core Course Learning Objectives (Separated)
  1. Render virtual instruments into audio files in preparation for processing and mixing.
  2. Correct deficiencies in recorded audio using pitch correction, equalization, and compression to obtain a sound that is optimal for the mixing process. *
  3. Correct timing issues using audio quantization, splicing, and elastic audio.*
  4. Prepare the master project/session file for mixing in accordance with the guidelines published by the Producers and Engineers Wing of the Recording Academy.
  5. Create different mixes of a single audio file that are appropriate for two or more genres as determined by comparable commercial recordings, including the use of reverb, delay, and other special effects as necessary.*
  6. Render the multi-track mix into a single file that is ready for mastering.
  7. Create a Redbook standard CD master with commercial friendly audio levels and sound quality.
  8. Create edits for use in TV spots and film scores.*
  9. Convert CD audio into sound files ready for digital distribution.

Assessment and Requirements

Assessment of Academic Achievement
  • Class critiques
  • Quizzes and exams
  • Instructor grading and portfolio review
General Course Requirements and Recommendations

Students should have strong computer skills. A fundamental understanding of music theory is recommended.

Credit for Prior College-Level Learning

Options for Credit for Prior College-Level Learning
Other
Other Details

Determined by department

Approval Dates

Effective Term
Fall 2014
ILT Approval Date
AALC Approval Date
Curriculum Committee Approval Date
Review Semester
Fall 2014