MUS-233: History of Western Music 2

School
Liberal Arts
Division
Fine & Performing Arts
Department
Music
Academic Level
Undergraduate
Course Subject
Music
Course Number
233
Course Title
History of Western Music 2
Credit Hours
3.00
Instructor Contact Hours Per Semester
47.00 (for 15-week classes)
Student Contact Hours Per Semester
47.00 (for 15-week classes)
Grading Method
A-E
Catalog Course Description

An intensive course providing a practical background in Western music from 1750 to the present. Covers musical forms, styles, composers, compositions, and important influences on the development of Western music.

Goals, Topics, and Objectives

Goal Statement

This course develops the student’s ability to apply intelligent listening habits to the varied forms and styles of Western music from 1750 to present.  Historical style analysis and accuracy of listening and identification are developed.

Core Course Topics
  1. Rococo

    Transition to Classical, Style gallant, empfindsamer stil, sturm and drang, Relevant composers

  2. Classical

    Enlightenment, Haydn, Mozart, Beethoven, Minor composers, Comparison and contrast with Baroque and Rococo, Development of sonata form in Classical, showing evolution from Baroque and Rococo, Development of variation form, showing evolution from previous period, Evolution of contrapuntal forms through classical

  3. Romantic

    Evolution of forms, The romantic ideals, Evolution of chromaticism, The great song cycles, Relevant composers

  4. Post Romantic

    Tone poem, Thematic transformation in sonata form from Beethoven, Program music, Music drama, Wagner Richard Strauss, Expansion of tonality to breaking point, Relevant composers

  5. Twentieth Century

    Debussy, Fauré, Impressionism, Ravel, Neoclassicism, The evolution of twelve tone techniques, relevant composers, Stravinsky, Ives, Bartok, Hindemith, the Russians, Nationalism in music, Electronic sources, formalized music, relevant composers, Concrete, aleatoric techniques, Messiaen and disciples, Total serialization, Minimalism, relevant composers, Contrapuntal technique in twentieth-century music, Introduction to American music, Charles Ives, Charlie Parker

Core Course Learning Objectives (Separated)
  • Demonstrate a knowledge of musical style in each of the traditional historical periods of music history
  • Recognize musical compositions from each era   
  • Distinguish among major composers
  • Describe the elements used in a musical composition
  • Locate and list CDs which are examples of styles and genres studied in class
  • Demonstrate a knowledge of the social background of each era and give reasons why it resulted in the music of that era*


* Fulfills the HFCC General Education Outcome for critical thinking and     problem solving.

Assessment and Requirements

Assessment of Academic Achievement
  • Listening Exams
  • Terminology Exams
  • Research projects

 

Outcomes

General Education Categories
  • Humanities and Fine Arts
MTA Categories
  • Category 5: Humanities and Fine Arts

Credit for Prior College-Level Learning

Options for Credit for Prior College-Level Learning
Other
Other Details

Determined by department

Effective Term
Fall 2014